The Black And White Journey: From Color To Classic
The query of whether to develop photos in color or black and white (or even both) is impressive. Because any photographer using a digital camera can quite easily create two or more versions of the same photo, this is a big difference from film photography days, when you had to commit to one or the other through your choice of film. Continue reading the article and know more about the same.
The query of whether to develop photos in color or black and white (or even both) is impressive. Because any photographer using a digital camera can quite easily create two or more versions of the same photo, this is a big difference from film photography days, when you had to commit to one or the other through your choice of film. Continue reading the article and know more about the same.
The Selection of Colors
With film, the real choice was color negative, color slide, or black and white picture converter to create negative film. And the choosing of one resulted in a concentration on finding subjects and compositions that worked within that medium. With digital, you can take the photo and decide afterward. However, it is more useful to know in advance if you intend to work in black and white so that you can concentrate on the elements that make black and white generator images, texture, contrast, etc. But you can also work in color and convert it afterward.
The beauty is you can go back through old photos and pick out those that would work well in black and white. Sometimes, you are better served by knowing whether you're going to shoot in turn image to black and white or even a combination of both before you make a shoot so you can commit to one mode of vision and composition.
The battle between color and black and white
There must have been many times when you took a color picture and then, later on, thought that it would better have been in black and white. You think it is because you seek powerful shapes and textures and really simplify the composition—something that works as well in color as in black-and-white photographs.
You sometimes find yourself caught in a battle between black and white and color, moving between the two, developing two versions of the same photo. This is a battle that has always been there, but now you have the luxury of making the decision later in the photography process after the shutter button has been pressed rather than before.
Look for themes
At the beginning of this year, you vowed to shoot more in black and white. Part of that process has been flipping through some older photos and redeveloping the best of them in black and white. You have also done most of my shoots this year in black and white.
At times, you will want to shoot in black and white, and at other times in color, especially if you like variety in photography.
But over time, you will identify certain subjects that keep cropping up in your work. One of them is color versus black and white. If, for instance, most of the photos you keep pointing towards are color ones, then you know that color is your thing. Conversely, if most of your favorite photos happen to be taken in black and white, then that is a sign you should focus on working in monochrome. You can make sure that you change photo to black and white so that it looks impressive as it takes to the vintage times.
In Conclusion
This article states how you can get a good turn image black white. You're not likely to produce good black-and-white images that way. Instead, direct your energies into trying to figure out why the color photo didn't work in the first place.